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Research Article

The Science of Harmony: A Psychophysical Basis for Perceptual Tensions and Resolutions in Music

Table 3

Tabulation of for chords that most commonly follow V against Palestrina’s chord tendencies as cited in [45].

IV7iii6V/VV2viV6/Vvi7iiiivi6I6ii6vii°V6iiIV

ConvergenceCDDC DXCXCCXCCDDCX

Frequency4276221111041520.5226

444-1.51.81.90.43.42.31.96.91.20.339.61.97.44.32.5192

States of convergence:
C denotes convergence of .
D denotes divergence of .
X denotes escalating excursion of .
X denotes descending excursion of .
In percent, as read off the histogram of chord tendencies from [45] computed over a dataset of 11000 chords from Palestrina.

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